Alvarado, L. (2015). A Filmmaker’s guide to music licensing. [online] Available at: [Accessed 20 Feb. 2017].

Anon, (2008). Street art talks – graffiti: Utopia or a bit boring?. [online] Available at: [Accessed 18 Nov. 2016].

Anon, (n.d.). Greg Smith, Greg M. Smith: An invitation to feel — film structure and the emotion system. [online] Available at: [Accessed 20 Feb. 2017].

Auge, M. (1995). 1st ed. [ebook] Available at: [Accessed 14 Mar. 2017].

Banksy’s exit through the gift shop. (2010). .

Barrett, A. (2016). Where to begin with Béla Tarr. [online] Available at: [Accessed 20 Feb. 2017].

BBC, (2013). Nice rebellion, welcome in!, Grayson Perry: Playing to the gallery: 2013, the Reith lectures – BBC radio 4. BBC. [online] Available at: [Accessed 30 Oct. 2016].

BBC. (2017). Blood for Sale: Gothic Goes Global, The Art of Gothic: Britain’s Midnight Hour – BBC Four. [online] Available at: [Accessed 20 Mar. 2017].

bershen, w. (2017). A question of ethics: The relationship between Filmmaker and subject. [online] Available at: [Accessed 20 Feb. 2017].

Bresson, R. (2010). [online] Available at: [Accessed 20 Feb. 2017].

Bresson, R., Le Clézio, J. and Griffin, J. (1997). Notes on the cinematographer. 1st ed. Kobenhavn: Green Integer.

Capitalist realism is there no Alternat Mark Fisher. (n.d.). [online] Available at: [Accessed 2 Mar. 2017].

Carpenter, M. (2000). ‘It’s a small world’: Mental health policy under welfare capitalism since 1945.Sociology of Health and Illness, 22(5), pp.602-620.

Cave of forgotten dreams. (2010). [Film] USA: IFC FILMS.

Children of men. (2006). [DVD] USA/UK/JAPAN: UNIVERSAL PICTURES.

Children of men: Don’t ignore the background. (2015). .

Copyright, (2017). Ethnographic film – cinema and media studies – Oxford bibliographies – obo. [online] Available at: [Accessed 20 Feb. 2017].

David Bowie, (n.d.). Ziggy Stardust – 2012 Remastered version.

De Certeau, M. (2017). [online] Available at: [Accessed 14 Mar. 2017].

Deleuze, G. (1992). Postscript on the Societies of Control. [online] Available at: [Accessed 20 Mar. 2017].

Dr. Strangelove or: How I learned to stop worrying and love the bomb. (1964). USA.

Eckersley, R. (2005). Is modern western culture a health hazard?. International Journal of Epidemiology, 35(2), pp.252-258.

Elliott, R. (1997). Existential consumption and irrational desire. European Journal of Marketing, 31(3/4), pp.285-296.

Fisher, M. (2009). Capitalist realism: Is there no alternative?. Washington, USA: JOHN HUNT PUB.

Graffiti: Art or vandalism? Street art in school & communities | Diego Gonzalez | TEDxCountyLineRoad. (2015). YouTube.

Hunter-Blair, K., Russian, t., Tarkovsky, A. and Tarkovskii, A. (1989). Sculpting in time: Reflections on the cinema. Austin, TX: University of Texas Press.

Hurley, R., Lane, H., Foucault, M., Guattari, F. and Deleuze, G. (1983). Anti-Oedipus: Capitalism and schizophrenia. 6th ed. Minneapolis: University of Minnesota Press.

Ingold, T. (2009). Making: Anthropology, archaeology, art and architecture. London: Taylor & Francis.

Kasaba. (1992). [DVD] Turkey: Nuri Bilge Ceylon.

Kes. (1969). UK.

Koehler, D. (2012). Documentary and ethnography: Exploring ethical fieldwork models. [online] Available at: [Accessed 20 Feb. 2017].

Lefebvre, H. (2016). The production of space. 1st ed. Malden, Mass.: Blackwell.

Leyda, J. and Eisenstein, S. (1969). The film sense. San Diego: Houghton Mifflin Harcourt Publishing.

Marx, K. (1984). Das Kapital: The process of capital production. Intl Pub.

Marx, K. (n.d.). Economic manuscripts: Capital Vol. I – chapter Ten. [online] Available at: [Accessed 20 Feb. 2017].

McCormick, C. (1984). Maritime folk song as popular culture: An applied study in discourse and social relations. Canadian University Music Review, (5), p.60.

Milne, T., Roud, R., Edited, J. and Godard, J. (1972). Godard on Godard; critical writings. New York: New York Viking Press.

Minogue, V. (2005). The value of the creative arts for people with mental illness or learning disabilities.Mental Health and Learning Disabilities Research and Practice, [online] 2(2), pp.110-122. Available at: [Accessed 20 Feb. 2017].

Nice, R. and Bourdieu, P. (1987). Distinction: A social critique of the judgement of taste. 10th ed. Cambridge, MA: Harvard University Press.

Over the top Blackadder goes fourth final scene. (2009). .

profile, V. and Grant, C. (2011). On ‘affect’ and ’emotion’ in film and media studies. [online] Available at: [Accessed 20 Feb. 2017].

Smith, S. (2017). Not Waving but Drowning by Stevie Smith. [online] Poetry Foundation. Available at: [Accessed 20 Mar. 2017].

The great dictator. (1940). USA.

Tucker, P. and Stamp, J. (2015). Secrets of screen acting. 3rd ed. Oxford: Routledge.

Uncle Boonmee: who can recall his past lives. New Wave Films.. (2010). [DVD] [Place of publication not identified],: WEERASETHAKUL, A.

Y Tu Mamá También. (2001). [DVD] Mexico.

Žižek, S. (2009). The sublime object of ideology. 1st ed. London: Verso.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s